Installation view | Where Eyes Rest
Today I Felt Like a Change in Perspective, 2022, postcard, felt-tip pen, stamp, postmark, powder-coated metallic shelf, 11.9 x 17 cm (postcard), 2 x 16.6 x 4 cm (metallic shelf), unique, part of an ongoing series
A postcard bearing the sentence “Today I Felt Like a Change in Perspective” is sent by the artist to herself and exhibited.
Pyramid, 2022, white bodies and t-shirts of all sizes (from 0-1 months to size XXL), thread, size of installation: 76 x 75 x 5 cm, edition 2/3
A pyramid is formed out of bodies and t-shirts of all available sizes sewn together, embodying the growth process.
Installation view | Where Eyes Rest
Word Count, 2022, book page, permanent marker, 23x14 cm / 31.5 x 23 cm (framed), unique variation
Each word of a poem by Michel Bulteau is measured in centimetres and its size noted underneath it.
Re-Enactment FR/ Eiffel Tower, 2022, Eiffel tower, white powder-coating, size of installation: 15 x15 x 27 cm, edition 1/3
An Eiffel tower is presented dismantled, as seen in a Parisian kiosk, taking an unexpected erotic connotation.
The Encounter of the First and Last Particles of Dust (detail), 2019, 4 used curtains, silver embroidery, 290 x 257 cm each
The curtains of the artist’s room as a teenager are embroidered in silver with the eighteen most significant trajectories she went through during her period of occupancy of the room between 1995 to 2001.
Installation view | Where Eyes Rest
Stage of Life, 2022, 1 blanket cut and sewn, size of installation: variable
A blanket, having belonged respectively to the artist’s brother as a teenager, is cut into strips and assembled in order to correspond to the perimeter of their current bedrooms.
Stage of Life (detail)
Stage of Life (detail)
Stage of Life, 2022, 1 blanket cut and sewn, size of installation: variable
A blanket, having belonged respectively to the artist as a teenager, is cut into strips and assembled in order to correspond to the perimeter of their current bedrooms.
Stage of Life (detail)
Stage of Life (detail)
Installation view | Where Eyes Rest
Family Circle, 2022, 3 hairs, white acrylic paint, canvas board, 40 x 30 cm, variation 1/5
A circle is made with 3 hair belonging to the artist’s mother, her own and her daughter’s.
Installation view | Where Eyes Rest
Pyramid, 2022, light grey socks of all sizes (from 0-1 months to size 42), thread, powder-coated metallic shelf, size of installation: 13 x 29 cm, edition1/2, part of an ongoing series
A pyramid is formed out of socks of all existing sizes sewn together, embodying the growth process.
Pyramid (detail)
Pyramid (detail)
Installation view | Where Eyes Rest
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Alphabet, 09/06/2022, 16:27 - 16:58, Jardin des Tuileries, Paris, FR, ink on paper, 21 x14.8 cm / 28 x 21.5 cm (framed), unique, part of an ongoing series
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Construction Blocks, 2022, used children construction blocks, mother of pearl, size of installation: variable, unique
Alphabet, 09/06/2022, 16:27 - 16:58, Jardin des Tuileries, Paris, FR, ink on paper, 21 x14.8 cm / 28 x 21.5 cm (framed), unique, part of an ongoing series
An alphabet is composed of letters written each by a different person, encountered during a walk.
Construction Blocks, 2022, used children construction blocks, mother of pearl, size of installation: variable, unique
Coloured wooden construction blocks formerly belonging to the artist and her brother are engraved and inlayed in mother of pearl with their current geographical coordinates.
Construction Blocks (detail)
Installation view | Where Eyes Rest
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Terre Pourrie, 2020, found snail shell, “Terre Pourrie” pigment, powder-coated metallic structure, size of installation: 3x3x12cm, Edition 5/5
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Where Eyes Rest, 2021, video, 3.9”, edition 3/3
Where Eyes Rest, 2021, video, 3.9”, edition 3/3
A live drawing is generated by the interaction with a fallen hair.
Where Eyes Rest (detail)
Where Eyes Rest (detail)
Where Eyes Rest (detail)
Terre Pourrie, 2020, found snail shell, “Terre Pourrie” pigment, powder-coated metallic structure, size of installation: 3x3x12cm, Edition 5/5
A hollow snail shell is filled with a pigment called “rotten earth”.
Installation view | Where Eyes Rest
Stéphanie Saadé, 2022, book pages, pen, 31.5 x 23 cm each (framed), unique variations
The covers and pages of children and school books with the artist’s name handwritten on it by her mom or herself are exhibited.
Stéphanie Saadé, 2022, book page, pen, 25.1 x 20 cm / 31.5 x 23 cm each (framed), unique variation
Heidi et le cirque, Marie-José Maury, 1982, Belgique, éditions Hemma
Stéphanie Saadé, 2022, book page, pen, 27.4 x 18.6 cm / 31.5 x 23 cm each (framed), unique variation
« La nouvelle encyclopédie de la jeunesse » Dis, comment ça marche ?, 300 questions, 300 réponses, Daniel Alibert-Kouraguine, Jean-Jacques Barloy, Pierre Kohler, , 1983, Paris, éditions Hachette
Stéphanie Saadé, 2022, book page, pen, 25.2 x18.6 cm / 31.5 x 23 cm each (framed), unique variation
Mon corps, Réponses aux « dis, pourquoi…? » dès 5-8 ans, Germaine Finifter, C. et D. Millet, 1982, Paris, éditions Hachette Jeunesse
Stéphanie Saadé, 2022, book page, pen, 29.7 x 21.2 cm / 31.5 x 23 cm each (framed), unique variation
La Préhistoire, Laurent Broomhead, 1982, Paris, éditions Hachette
Stéphanie Saadé, 2022, book page, pen, 25 x 17.5cm / 31.5 x 23 cm each (framed), unique variation
Philosophie, Terminale ES, Laurence Hansen-Løve, 1999, Paris, éditions Hatier